BLEACH BLONDE: “This is a
hair which made it easy to achieve the look. I used a
strong gel from the Matrix Design Pulse collection to
hold the style in place.”
classic barbering technique blending from
0 to quite short on the top. I worked with
the model’s bone structure—the cut really
enhances his look.”
BLUE EDGE: “I used a scissor-over-comb technique on
the back and side, leaving the top section disconnected and
a slight under cut on the side. This enabled me to keep
the front long but reduce the bulk. Then I lightened a
section at the front and colored it blue to give it a
quirky edge.”
FINGERWAVE:
“The model had naturally wavy
BLEACH BLONDE: “This is a
hair which made it easy to achieve the look. I used a
strong gel from the Matrix Design Pulse collection to
hold the style in place.”
PROFILE POSE: “I used a
scissor-over-comb technique on the back
sides with a disconnection in the front.”
BLEACH BLONDE: “This is a
hair which made it easy to achieve the look. I used a
strong gel from the Matrix Design Pulse collection to
hold the style in place.”
classic barbering technique blending from
0 to quite short on the top. I worked with
the model’s bone structure—the cut really
enhances his look.”
BLUE EDGE: “I used a scissor-over-comb technique on
the back and side, leaving the top section disconnected and
a slight under cut on the side. This enabled me to keep
the front long but reduce the bulk. Then I lightened a
section at the front and colored it blue to give it a
quirky edge.”
FINGERWAVE:
“The model had naturally wavy
BLEACH BLONDE: “This is a
hair which made it easy to achieve the look. I used a
strong gel from the Matrix Design Pulse collection to
hold the style in place.”
PROFILE POSE: “I used a
scissor-over-comb technique on the back
sides with a disconnection in the front.”
Using classic barbering techniques, UK-based hairdresser Anne Veck, a brand ambassador for Kasho Scissors, created eight classic styles in her Jealousy Collection using scissor-over-comb, blending at the nape and the traditional method of fingerwaving. Working with each of the model’s features, Veck wanted a collection that had a vintage feel, where men still looked masculine, “but were handsome and well-groomed.”
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