Intercoiffure France, the preeminent organization of France’s top hairdressing talents, has released its 2010 spring and summer collection.
Titled Diptyque, it features a collection of styles with alternate views in the photographic shadows.
The defining word is “Mixite” emphasizing Intercoiffure France’s reaffirmation of the modern take on hairdressing that flatters both women and men.
A varying array of geometric cuts and styles can go from her to him with a simple styling tweak to form a modern day diptych image.
Blonde is the color of the hour with various volumes, short airy cuts and structured bobs that fit side by side with free-style looks.
The collection’s unisex glamour stresses ambiguity and ignores convention, says Artistic Director Francois Mazeau
Products used in the Diptyque collection are from Interncoiffure France’s partners: Wella Professionals, Secret Professionnel by Phyto and Velecta Paramount of Paris.
Hair and make-up: Intercoiffure France Artistic Team under the direction of Francois Mazeau.
Photography: Jules Egger
Intercoiffure France, the preeminent organization of France’s top hairdressing talents, has released its 2010 spring and summer collection.
Titled Diptyque, it features a collection of styles with alternate views in the photographic shadows.
The defining word is “Mixite” emphasizing Intercoiffure France’s reaffirmation of the modern take on hairdressing that flatters both women and men.
A varying array of geometric cuts and styles can go from her to him with a simple styling tweak to form a modern day diptych image.
Blonde is the color of the hour with various volumes, short airy cuts and structured bobs that fit side by side with free-style looks.
The collection’s unisex glamour stresses ambiguity and ignores convention, says Artistic Director Francois Mazeau
Products used in the Diptyque collection are from Interncoiffure France’s partners: Wella Professionals, Secret Professionnel by Phyto and Velecta Paramount of Paris.
Hair and make-up: Intercoiffure France Artistic Team under the direction of Francois Mazeau.
Photography: Jules Egger
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